Alfredo & Edeath, are a couple of music lovers who met later in life but grew up loving almost the same bands and hating others but always listening to music, old and new, and apart from collecting vinyl and books and going to see every good band coming to town, (or a few miles away), got together and created "I think i better follow you around", a website/music blog, where they share all the music they like and help promote upcoming concerts, local bands from San Diego and Tijuana and amazing artists from around the world.
I think I better follow you around is an independent project.
Jim Jarmusch and Anika have collaborated in the creation of the score for Jarmusch latest film “Father Mother Brother Sister” with the score being released on November 14th via Sacred Bones Records.
TRACKLIST: 1. Spooky 2. Disorder 3. Skaters (Short Version) 4. The Lake 1 5. The Lake 2 6. The World In Reverse 7. Afterwards 8. Order 9. Twins 10. Skaters 11. Return 12. Emptiness 13. These Days 14. Jetlag 15. Paris Bleu 16. These Days (Berlin Version)
The single that has been shared off the score is for the song “Jetlag”. Additionally Jarmusch and Anika covered the song “Spooky” by Classics IV and “These Days” by Nico.
Darkside have shared a new single, “One Last Nothing”, a post album standalone track available via Matador Records.
A press release from the label said this: “The track an unreleased composition created amid sessions for the trio’s third LP, ‘Nothing’ – finds the group at its most bass-forward, riding a tough groove into an elegantly spaced-out blend of krautrock, dub, and Fillmore-era psychedelia.”
Austra has shared the second single, “Siren Song”, off her upcoming album “Chin Up Buttercup” out November 14th via Domino.
The video for the song was directed by Vanessa Magic.
Katie Stelmanis shared this about the song: “ABBA inspired the early songwriting with [co-writer] Patrick [Holland]. The Siren introduced herself to me while I was improvising the demo recordings and I quickly realized that Orpheus would be our common nemesis. Following a recent X-Files binge, I was heavily inspired by Mulder’s desperate search for his sister. Ray Of Light came in at the end as my co-producer Kieran Adams and I were establishing the sonic realm which would become the backdrop for our Siren to lament the loss of her lover to Orpheus and his pesky Lyre.”
The Charlatans have shared the second single, “Deeper And Deeper”, off their upcoming album “We Are Love” out October 31st.
Tim Burgess shared this about the song: “It kicks in with a sense of immediacy. It’s Altered States meets Pincher Martin. The Hammond organ leads the way and hands you over to the irresistible and relentless bassline, a sense of giving in to what surrounds you. Sometimes it’s where you should be going. But you only get the answer once you can’t turn back.”
Jake Xerxes Fussell & James Elkington have shared 2 songs, “Glow In The Dark” and “Contemplating The Moon”, off the soundtrack to the movie “Rebuilding” directed by Max Walker-Silverman to be released in November via Fat Possum.
Max Walker-Silverman shared this about the score: “I could hear the cinema in it right away. His music is rooted firmly in all the folkloric traditions I love but not at all nostalgic. And that was much like the film we were making; a story in which the past is all around but firmly of the here and now. And since so much of his music has no lyrics, Jake already understood the challenge of telling a story through instrumentation alone.”
James Elkington shared this about it: “I think Max had a suspicion that we’d be able to improvise a couple of new pieces in the room, while watching the picture, which turned out to be true. Some of our favorite cues were written that way, in the room while watching the picture. Not only are both “The Straight Story” and “Paris, Texas” great soundtracks, but the films themselves hold hands with Rebuilding as modern inversions of the western.”
“Rebuilding” synopsis says: “After losing the old family ranch to a wildfire, a cowboy, Dusty, winds up in a small FEMA camp in the vast American West. The last of a long line of ranchers, he’s stranded between the legacy of his land and the changes to it. But he begins to reconnect with his young daughter, Callie Rose, and his ex wife, Ruby, and ultimately the neighborhood around him that he never chose-a world of people who all lost their houses like he did. Together they find an unlikely community-and maybe even hope, beauty, and a future in this wild place.”
Preoccupations have shared two new songs, “MUR” and “PONR”, outtakes from their recently released album “Ill At Ease”.
Matt Flegel shared this about “MUR”: “With ‘MUR’, I was trying to translate the feeling of overwhelming, aggressive, helplessness and unwillingness to talk about things that scare you, into the form of sound. It builds up and hits the point of almost rapture, and then explodes into a rant and rage, and unburdening of all the things you were exasperated about.”
For “PONR” Flegel shared this: “Is set in a far future, where the feeling of nostalgia died a long time ago. It’s about finding a trove of relics that you think of as new and incredible, but they’ve existed in far superior forms in the past. You don’t know any better, but it makes you feel good, so you don’t question it. Time moves on a you eventually grow tired of it all and burn it, and try to find or create better versions of the things. It’s basically about the inevitability of disappointment, and the inherent human need to tear things down, make a blank slate, and create something new.”
Nala Sinephro has shared the single, “Grand Prix”, off the score for the film “The Smashing Machine” directed by Bennie Safdie that was released via Warp Records.
Nala Sinephro shared this about it: ” It was an amazing and incredible journey creating the score with Benny, grateful for all the wonderful people who’ve been part of this special project.”
Just Mustard have shared the third single, “ENDLESS DEATHLESS”, off their upcoming album “WE WERE JUST HERE” out October 24th via Partisan Records.
The video for the song was directed by David Noonan.
Katie Ball shared this about the song: “I wrote the lyrics for this song by imagining myself on a dance floor. We wanted to write more songs that suited places like that. I suppose I would describe it as an existential love song but you can hear it and feel it anyway you like.”
i think i better follow you around 