Capsula have shared a new single, “Rayo Oscuro”, which is available on all platforms now.
This, most likely, will be part of their new and upcoming album, for which we have no additional details yet and their follow up to “Phantasmaville” which was released back in 2021.
If this song is any indication as to what the album will sound like, then we should be expecting a 1970’s glam rock n roll album in the same vein as a Bolan or Bowie album from that era and that is always a good sound.
Nilüfer Yanya has shared the first single, “Like I Say (I runaway), off what we hope will be her upcoming album to be released via Ninja Tune.
The video for the song was directed by Nilüfer’s sister Molly Daniel.
Nilüfer shares this about the song: “It’s about how you choose to spend your time. Time is like a currency, every moment. You’re never going to get it back. It’s quite an overwhelming thing to realize.”
Mvtant has released a new single, “Kanashibari”, off his upcoming album “Electronic Body Horror” out May 3rd via Dream Recordings.
Mvtant shares this about the song: “‘Kanashibari’ is a song house tinged in ebm track about falling in love with your sleep paralysis demon”.
The video was done by Julia Witas.
Mvtant has a few European dates lined up for this upcoming summer. No dates have been announced for the USofA (nor Tijuana) yet.
Michael Malarkey has released a new EP “Future Tense”.
TRACKLIST:
01. The Passenger
02. Ghost Dreams
03. Boomerang
04. Fever Road
05. Pretty Far Gone
Malarkey shared this about the EP: “In the initial writing stages of this project, I was interested in the idea of enforcing a handicap in order to alter my writing process: to not play the guitar, my main instrument. I scored the album on keyboard, bass and drums and recorded nearly all of the instrumentation on the record myself. After some preliminary sessions at Strongroom Studios in Shoreditch, I ended up finishing the record at Tesla Studios in Sheffield where I also cut my debut EP “Feed The Flames” as well as my 2020 LP “Graveracer”.
Below is the last single he released, the EP closer “Pretty Far Gone”.
Bat For Lashes has released a new single, “Home”, off her upcoming album “The Dream Of Delphi” out May 31st via Mercury KX.
Natasha Khan shared this about the song: “The next single from “The Dream of Delphi” is out today! ‘Home’ and is dedicated to [my daughter] Delphi and her early love of house piano bangers and romantic driving songs. It’s a cover of the Special Request remix of Baauer and Bipolar Sunshine’s ‘Home,’ which was her favorite song to listen to in the car. It continually made her dance and giggle whenever it was on, and brings back precious memories of driving around LA together.”
Bernard Butler has shared the first single, “Camber Sands”, off his upcoming 3rd solo album “Good Grief” out May 31st via 355 Recordings.
TRACKLIST:
01 “Camber Sands”
02 “Deep Emotions”
03 “Living The Dream”
04 “Preaching To The Choir”
05 “Pretty D”
06 “The Forty Foot”
07 “London Snow”
08 “Clean”
09 “The Wind”
Butler shares this about the album: “For a good while, I was scarred, and I was scared. I was happily distracted and joyously involved with so much music. I realized just being there was more than I had ever hoped for. I gave a lot to other people but realized that my story was defined by what I was, rather than what I am. I set myself a modest commercial goal, an expectant creative one: Perform to 10 people without being bottled, then find 11 the next night. Thus began the undoing of my own embarrassment. I would write as I thought and sing as I wrote until the bottles fly. And so the songs arrived. For years and years, I have drawn straight lines from North London to every coastline I could see. To life-worn Londoners, escape is the dream and return most likely. The story I found was not the sea but the journey. Camber Sands, Mersea Island, Dunwich, or a dozen more horizons of possibility, the sea and the seawalls, and the endless return to face the city. “Camber Sands” is a love song — we flee the past, the present, ourselves, to survive, to defy. The loneliest music of the resolute, the half-light, and the saddest tunes”.
Thom Yorke has shared a single, “Knife Edge”, off his upcoming score for the film “Confidenza” out digitally April 26th and physical release July 12th.
TRACKLIST:
01. The Big City
02. Knife Edge
03. Letting Down Gently
04. Secret Clarinet
05. In The Trees
06. Prize Giving
07. Four Ways In Time
08. La Confidenza
09. Nosebleed, Nuptials & Doubt
10. A Bunch Of Flowers
11. A Silent Scream
12. On the Ledge
The video for lead single ‘Knife Edge’ is now available featuring a sequence from the film re-cut by Confidenza editor Ael Dallier Vega.
“Confidenza” is an adaptation of an Italian drama based on Domenico Starnone’s novel of the same name, and is set for release in Italian cinemas this Wednesday 24 April. It stars Elio Germano and Federica Rosellini.
Don’t Get Lemon have shared a new single, “Highway 59”, off their upcoming album “Have Some Shame” out April 23rd via á La Carte Records and Summer Darlings Tapes.
TRACKLIST:
1. Have Some Shame
2. Blow-Up
3. Say Something New For Once
4. Highway 59
5. Pomp and Circumstance
6. Last Chance for Romance
7. Autocratic Gore
8. The Crest of a Wave
9. Pop Star Salvation
The video for the song was directed by Jennifer Battaglia.
The band will be on the road supporting Holy Wire during the month of June. No additional dates have been announced (yet).
THOU have shared the first single, “I Feel Nothing When You Cry”, off their upcoming album “Umbilical” out May 31st via Sacred Bones Records.
TRACKLIST:
01 “Narcissist’s Prayer”
02 “Emotional Terrorist”
03 “Lonely Vigil”
04 “House Of Ideas”
05 “I Feel Nothing When You Cry”
06 “Unbidden Guest”
07 “I Return As Chained And Bound To You”
08 “The Promise”
09 “Panic Stricken, I Flee”
10 “Siege Perilous”
THOU shared this about the release:
“Clearly, the “Thou” experiment is never going to appeal to audiences who demand that art rigorously enforce a coherent and righteous worldview.
And yet, are we not ourselves constrained by our own rigid morality? In those quiet moments of deep contemplation, when the bargains and concessions are thoroughly examined, when we yield before the Judging Eye–what is the summation of our choices? If the unspoiled self beyond the immensity of time were given voice, what pronouncements would be made? What would such an internal audit yield? What undeniable character would be revealed?
This record is for the radicals, the crackpots, the exiles who have escaped the wasteland of capitulation. This record is for the militants and zealots refusing to surrender to comforts, to practicalities, to thirty pieces of silver. And this record is most especially for the weaklings and malingerers, burdened by capricious indulgence, hunched by the deep wounds of compromise, shuffling in limp approximation, desperately reaching back towards integrity and conviction.”
i think i better follow you around 